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Gallery

Shahid

Official poster for Shahid (Berlinale Forum 74): the red spray-painted title “SHAHID” spans the center; at the bottom a woman in a yellow beanie and red coat walks as a robed chorus follows; at right a large gray ink-wash silhouette made of faces looms; festival logo and credits frame the design.
Group photo of the Shahid cast and crew on location: dozens pose in front of a teal building on a cobblestone street, with a camera rig at left.
Behind-the-scenes group photo for Shahid: performers and musicians pose on stage in front of a colorful Persian-style mural—one in a black robe with a tall hat, two in orange jumpsuits crouching, a drummer at a kit, and another holding a hand drum—with stage microphones visible.
Red carpet photo related to Shahid: actors Baharak Abdolifard and Nima Nazarinia pose before a blue “FFF Bayern” step-and-repeat—one in a light, flowing gown with a small black clutch, the other in a black tuxedo with bow tie, both smiling at the camera.
Red carpet photo for Shahid: two guests pose in front of a red “Hessen Film & Medien” step-and-repeat—one in a navy dress with statement jewelry, the other in a light grey blazer and black turtleneck.
Trailer cover for Shahid: a woman in a yellow beanie and red coat stands on a cobblestone street facing the camera as a black-robed chorus lines up behind her; Berlinale bear logo overlays the center with “TRAILER — SHAHID” text at right.

Zingool

TAN

The Inquisition of the Words

Nodbeh

Stage photo from Nodbeh: seven performers in mixed costumes stand shoulder to shoulder under a hard spotlight, staring forward on a black stage.
Stage photo from Nodbeh: nine performers kneel in a row under a tight spotlight while a tenth figure stands behind them in white, singing against a black background.

Super Enki

Photographer, His Lover…

Official poster: grainy, double-exposed room—figure slumped on a sofa with teapot and cup; title “The Photographer, His Lover, His Sister and Her Lover” at left, credits below
Behind the scenes: actress Baharak Abdolifard lies on a bed examining a roll of tape handed by a man leaning over; warm bedside light in a minimal room.